About | moonyipcollection

ABOUT ME

follow the inner voice,

honestly,

by using the "third eye's" perspective.

葉卓棠

生於香港，跨媒介藝術創作人。創作範圍包括: 舞台美學設計、影像美術指導、視覺設計、遊戲概念美術及音樂創作等。

獨立樂隊紙風鈴的創團成員。

香港演藝學院畢業，主修舞台佈景及服裝設計，獲（一級榮譽）藝術學士學位。在學期間曾獲尤德爵士紀念基金獎學金、The Doris Zimmer Scholarship for Artistic Achievement、李寶樁慈善信托基金獎學金、香港演藝學院友誼社獎學金等。

2011 年憑第十八屆「法國五月」藝術節節目《無際空境》的舞台設計入選參展以當代國際劇場設計及建築為主題的「布拉格舞台設計四年展 2011」。

2012- 2013 年間，舞台及服裝設計作品隨鄧樹榮戲劇工作室《打轉教室》於「愛丁堡藝穗節 2012」演出，其後於上海、杭州、北京、汕頭及深圳等城市巡演，逾九十四場。

2014 年於千百億網絡科技有限公司任創意及美術總監，統籌及創作多部線上遊戲的場景、角色、特效等概念美術及原畫製作。

2017 年憑黃子華舞台劇《前度》及風車草劇團《忙與盲的奮鬥時代》的舞台設計入選「世界劇場設計展 2017」專業組。

2018 年於CHLOEOGRAPHY PROJECT 流動舞蹈劇場《遙遙之城》任創意總監及製作設計，統籌及創作融合當代舞蹈、造型意像及環境空間的演出，巡演至全港各區逾三十場。其後於2020 年發展成互動藝置裝置及網上演出作品《人圖》。

2016- 2019 年間，音樂作品隨黃靜婷原創舞蹈編舞作品《⼈間．獨．⽩》I 及 II 被邀到世界各地藝術節演出，包括「德國杜塞爾多夫國際舞蹈博覽會 2016 」、「韓國釜山國際舞蹈博覽會 2018」、「香港城市當代舞蹈節 2019」及「布拉格舞台設計四年展 2019」。

舞台美學設計近作包括：

英皇娛樂《容祖兒· MY SECRET‧ LIVE》演唱會 (2017) 、美亞娛樂 x Art Connect《由靈開始 Private Music Room 》演唱會 (2018)、CHLOEOGRAPHY PROJECT《人圖》網上版 (2020)、香港舞蹈團及演戲家族《一水南天》(2020)、達摩工作室《聖荷西謀殺案》(2020)、進劇場《時光》(2021)、演戲家族《路比和嫲嫲的鐵路5號》(2021) 、香港話劇團《兩相刃交》(2022) 、神戲劇場《極地謎情》(2023)及香港話劇團《親愛的柳如是》(2023)等。

現於香港演藝學院舞台及製作藝術學院碩士課程任客席導師。

Yip Cheuk Tong, Moon

Born in Hong Kong, Yip is a multi-disciplinary artist who simultaneously engages in various specialties, including performance design, media art direction, visual design, game concept art, and music composition.

Moon is a founding member of the Hong Kong independent band- Tree Phoning.

Yip graduated from the Hong Kong Academy for Performing Arts (HKAPA) with a Bachelor of Fine Arts Degree (First Class Honours), majoring in Theatre Set and Costume Design. , he was the winner of various scholarships, including:

The Sir Edward Youde Memorial Scholarship, The Doris Zimmern Scholarship for Artistic Achievement and Li Po Chun Charitable Trust Fund Undergraduate Scholarship, etc.

2011, his stage design work in La Demande d’emploi, an event of Le French May Arts Festival 2010 was making him take part in The Prague Quadrennial International Exhibition of Scenography and Theatre Architecture (PQ2011) as one of the Hong Kong representatives in The Czech Republic.

2012-2013, the set and costume design work collaborated on the non-verbal physical comedy production Detention by Tang Shu-wing Theatre Studio was presented during Edinburgh Festival Fringe 2012 and the China tour for over 94 performances.

2014, he was invited to join Billiongame Company Limited as Creative Director, to direct concept artwork production for a series of mobile games.

In 2017, his stage designs for Skylight by Gold Blue Limited and Lazy People are Always Busy by Windmill Grass Theatre were selected as finalists in the professional section of World Stage Design 2017.

In 2018, acting as creative director and production designer in the dance theatre work Maybe Tomorrow, Yip explores a cross-disciplinary mix of dance, original music, and site-specific scenography over 30 shows in public areas and universities. And further developed into an interactive installation performance Our Atlas in 2020.

2016-2019, his music composition work collaborated on Heaven Behind the Door II by CHLOEOGRAPHY PROJECT was invited to perform at the Internationale Tanzmesse nrw 2016 (Germany), the 9th Busan International Dance Market 2018 (South Korea) and the 14th Prague Quadrennial- PQ Studio Festival 2019 (The Czech Republic).

The latest scenographic work :

JOEY．MY SECRET．LIVE concert (2017) by Emperor Entertainment Group, Elisa Chan Private Music Room concert (2018) by Mei Ah Entertainment Group Ltd x Art Connect, Maybe Tomorrow (2018) and Our Atlas (2020) by CHLOEOGRAPHY PROJECT, A Tale of the Southern Sky (2020) by Hong Kong Dance Company and Actors’ Family, Murder in San José (2020) by Dharma Workshop Limited, Old Times (2021) by Theatre du pif, Cinematic Memories on Train No. 5 (2021) by Actors’ Family, Confrontations (2022) and Liu Rushi, ny Dear (2023) by Hong Kong Repertory Theatre, etc.