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ABOUT ME

follow the inner voice,

honestly,

by using the "third eye's" perspective.
 

葉卓棠

 

生於香港,跨媒介藝術創作人,獨立藝術品牌「人間作業」藝術總監,獨立樂隊「紙風鈴」創團成員。其創作涵蓋舞台美學設計、媒體藝術、視覺設計、遊戲概念美術及音樂創作等多個領域。

 

香港演藝學院畢業,主修舞台及服裝設計,獲(一級榮譽)藝術學士學位。 在學期間曾獲尤德爵士紀念基金獎學金、The Doris Zimmer Scholarship for Artistic Achievement、李寶樁慈善信托基金獎學金及香港演藝學院友誼社獎學金等。

 

2011年,憑藉第十八屆「法國五月」藝術節《無際空境》的舞台設計,代表香港參展全球唯一以當代國際劇場設計及建築為主題的「布拉格劇場設計四年展 2011」。

 

2012至2013年間,為鄧樹榮戲劇工作室《打轉教室》負責舞台及服裝設計,該作品在香港首演後,於「愛丁堡藝穗節 2012」及上海、杭州、北京、汕頭和深圳等城市巡演,演出場次超過九十四場。

 

2014至2016年間,於千百億網絡科技有限公司擔任創意及美術總監,負責多部中國線上遊戲項目,包括重要作品《三國之匙:再世銅雀》的場景、角色、介面及特效的概念美術及原畫製作。

 

2017年,憑藉黃子華舞台劇《前度》及風車草劇團《忙與盲的奮鬥時代》的舞台設計,入選以劇場設計師個人交流及競賽為主的大型展覽「世界劇場四年展 2017」,其作品為全球最佳舞台設計專業組中四十項作品之二。

 

2016至2019年間,為黃靜婷編舞作品《人間· 獨· 白》系列擔任作曲家,作品受邀世界各地藝術節演出,包括「德國杜塞爾多夫國際舞蹈博覽會 2016 」、「韓國釜山國際舞蹈博覽會 2018」及「布拉格劇場設計四年展 2019」等。

 

2018至2019年間,於 CHLOEOGRAPHY PROJECT 流動舞蹈劇場《遙遙之城》擔任創意總監及製作設計師,該演出融合當代舞蹈、裝置意像及城市空間等元素,巡演全港各區超過三十場。

 

2019至2022年間,為 HORIZON TECH 擔任創意及美術總監,開發以企業人才培訓為核心目標的遊戲項目。其代表作《盛世風雲》及《逆轉未來》為香港及大中華地區超過兩萬名國際企業員工提供了嶄新的團隊互動體驗。

 

2023年,憑藉 CHLOEOGRAPHY PROJECT《人圖》的藝術裝置空間及製作設計,再度代表香港參展「布拉格劇場設計四年展 2023」。

 

近年重要劇場設計作品包括:英皇娛樂《容祖兒· MY SECRET‧ LIVE》演唱會 (2017)、美亞娛樂及Art Connect《陳潔靈· 由靈開始 Private Music Room》演唱會 (2018)、香港舞蹈團及演戲家族《一水南天》(2020)、達摩工作室《聖荷西謀殺案》(2020)、演戲家族《路比和嫲嫲的鐵路5號》(2021)、香港話劇團《兩刃相交》(2022)、神戲劇場《極地謎情》(2023)及香港話劇團《親愛的柳如是》(2023)等。

 

目前,於香港演藝學院舞台及製作藝術學院碩士課程擔任客席導師,持續推動藝術教育與創作實踐。

Yip Cheuk Tong, Moon

 

Born in Hong Kong, Yip is a cross-disciplinary artist who simultaneously engages in various specialties, including theatre scenography, media art, visual design, game concept art, and music composition. 

 

Moon is the artistic director of the independent art brand- Who Tells the Story, and a founding member of the independent band- Tree Phoning.

 

Yip graduated from the Hong Kong Academy for Performing Arts (HKAPA) with a Bachelor of Fine Arts (First Class Honours), majoring in Theatre Set and Costume Design. , he was the winner of various scholarships, including The Sir Edward Youde Memorial Scholarship, The Doris Zimmern Scholarship for Artistic Achievement and Li Po Chun Charitable Trust Fund Undergraduate Scholarship, etc.

 

In 2011, his stage design work in La Demande d’emploi, an event of Le French May Arts Festival 2010, made him take part in The Prague Quadrennial International Exhibition of Scenography and Theatre Architecture (PQ2011) as one of the Hong Kong representatives in the Czech Republic. 

 

2012-2013, the set and costume design work collaborated on the non-verbal physical comedy production Detention by Tang Shu-wing Theatre Studio, after its premiere in Hong Kong, the production toured cities including the Edinburgh Festival Fringe 2012, and the China tour in Shanghai, Hangzhou, Beijing, Shantou, and Shenzhen, with over ninety-four performances.

 

2014-2016, he acted as the Creative and Art Director at Billiongame Company Limited, where he was responsible for concept artwork production for a series of online games. 

 

In 2017, his stage design for Skylight by Gold Blue Limited and Lazy People are Always Busy by Windmill Grass Theatre were selected as finalists in the professional section of World Stage Design 2017, which were among forty selected from the best in the global stage design.

 

2016-2019, he served as the composer for the choreography series Heaven Behind the Door by CHLOEOGRAPHY PROJECT, with the works invited to perform at various international arts festivals, including the Internationale Tanzmesse nrw 2016 (Germany), the 9th Busan International Dance Market 2018 (South Korea) and the 14th Prague Quadrennial- PQ Studio Festival 2019 (The Czech Republic).

 

In 2018, acting as creative director and production designer in the dance theatre work Maybe Tomorrow, Yip explores a cross-disciplinary mix of dance, original music, and site-specific scenography over 30 shows in public areas and universities. 

 

2019- 2022, he served as the Creative and Art Director at HORIZON TECH, developing game projects with enterprise talent training as the core goal. The games provided innovative team interaction experiences for over 20,000 employees of international enterprises in Hong Kong and Greater China.

 

In 2023, he represented Hong Kong at The Prague Quadrennial International Exhibition of Scenography and Theatre Architecture (PQ2023) with the interactive art installation space and production design of Our Atlas by CHLOEOGRAPHY PROJECT.

 

Important theatre design works in recent years including:

 

JOEY.MY SECRET.LIVE concert (2017) by Emperor Entertainment Group, Elisa Chan Private Music Room concert (2018) by Mei Ah Entertainment Group Ltd x Art Connect, Maybe Tomorrow (2018) and Our Atlas (2020) by CHLOEOGRAPHY PROJECT, A Tale of the Southern Sky (2020) by Hong Kong Dance Company and Actors’ Family, Murder in San José (2020) by Dharma Workshop Limited, Cinematic Memories on Train No. 5 (2021) by Actors’ Family, Confrontations (2022) and Liu Rushi, My Dear (2023) by Hong Kong Repertory Theatre, etc.

 

Currently, he serves as a part-time teacher for the Master of Fine Arts programme in Theatre and Entertainment Arts at HKAPA.

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