
二度心寒
Shiver
二度心寒
Shiver
二度心寒
Shiver
忙與盲的奮鬥時代
Lazy People are Always Busy
日夜沫了
The Living Split
雷雨
Thunderstorm
雷雨
Thunderstorm
雷雨
Thunderstorm
雷雨
Thunderstorm
三拾以後
Dance, for No Reason
日夜沫了
The Living Split
日夜沫了
The Living Split

葉卓棠
生於香港,跨媒介藝術創作人,其創作涵蓋舞台美學設計、媒體藝術、視覺設計、遊戲概念美術及音樂創作等多個領域。
香港演藝學院畢業,主修舞台及服裝設計,獲(一級榮譽)藝術學士學位。 在學期間曾獲尤德爵士紀念基金獎學金、The Doris Zimmer Scholarship for Artistic Achievement、李寶樁慈善信托基金獎學金及香港演藝學院友誼社獎學金等。
現於藝術品牌「人間作業」擔任藝術總監,獨立樂隊「紙風鈴」創團成員,並於香港演藝學院舞台及製作藝術學院碩士課程擔任客席導師,持續推動藝術教育與創作實踐。
2011年,憑藉第十八屆「法國五月」藝術節《無際空境》的舞台設計,代表香港參展全球唯一以當代國際劇場設計及建築為主題的「布拉格劇場設計四年展 2011」。
2012至2013年間,為鄧樹榮戲劇工作室《打轉教室》負責舞台及服裝設計,該作品在香港首演後,於「愛丁堡藝穗節 2012」及上海、杭州、北京、汕頭和深圳等城市巡演,演出場次超過九十四場。
2014至2016年間,於千百億網絡科技有限公司擔任創意及美術總監,負責多部中國線上遊戲項目,包括重要作品《三國之匙: 再世銅雀》的場景、角色、介面及特效的概念美術及原畫製作。
2017年,憑藉黃子華舞台劇《前度》及風車草劇團《忙與盲的奮鬥時代》的舞台設計,入選以劇場設計師個人交流及競賽為主的大型展覽「世界劇場設計展 2017」,其作品為全球最佳舞台設計專業組中四十項作品之二。
2016至2019年間,為黃靜婷編舞作品《人間· 獨· 白》系列擔任作曲家,作品受邀世界各地藝術節演出,包括「德國杜塞爾多夫國際舞蹈博覽會 2016 」、「韓國釜山國際舞蹈博覽會 2018」及「布拉格劇場設計四年展 2019」等。
2018至2019年間,於 CHLOEOGRAPHY PROJECT 流動舞蹈劇場《遙遙之城》系列擔任創意總監及製作設計師,該演出融合當代舞蹈、裝置意像及城市空間等元素,巡演全港各區超過三十場。
2019至2022年間,為 HORIZON TECH 擔任創意及美術總監,開發以企業人才培訓為核心目標的遊戲項目。其代表作《盛世風雲》及《逆轉未來》為香港及大中華地區超過兩萬名國際企業員工提供了嶄新的團隊互動體驗。
2023年,憑藉 CHLOEOGRAPHY PROJECT《人圖》的互動藝術裝置、空間美學及音樂創作,再度代表香港參展「布拉格劇場設計四年展 2023」。
2025年,憑藉西九文化區《遙遙之城@自由空間》的設計作品(包括空間、裝置、服裝及音樂)入選四年一度的「世界劇場設計展 2025」- 表演設計(專業組),為十四項全球入圍作品之一,該作品在阿拉伯聯合酋長國沙迦進行公開展覽。
近年重要劇場設計作品包括:英皇娛樂《容祖兒· MY SECRET‧ LIVE》演唱會 (2017)、美亞娛樂及Art Connect《陳潔靈· 由靈開始 Private Music Room》演唱會 (2018)、香港舞蹈團及演戲家族《一水南天》(2020)、達摩工作室《聖荷西謀殺案》(2020)、演戲家族《路比和嫲嫲的鐵路5號》(2021)、香港話劇團《兩刃相交》(2022)、神戲劇場《極地謎情》(2023)、香港話劇團《親愛的柳如是》(2023)及黃子華 X 劉嘉玲舞台劇《香港式離婚》(2024)等。
Cheuk Tong, Moon Yip
Born in Hong Kong, Yip is a cross-disciplinary artist who engages in specialties including theatre scenography, media art, visual design, game concept art, and music composition.
Yip graduated from the Hong Kong Academy for Performing Arts (HKAPA) with a Bachelor of Fine Arts (First Class Honours), majoring in Theatre Set and Costume Design. He received multiple scholarships, including the Sir Edward Youde Memorial Scholarship, the Doris Zimmern Scholarship for Artistic Achievement, and the Li Po Chun Charitable Trust Fund Undergraduate Scholarship.
Currently, he is the Artistic Director of Who Tells the Story and a founding member of Tree Phoning. He also serves as a guest lecturer for the Master of Fine Arts programme in Theatre and Entertainment Arts at HKAPA.
In 2011, his stage design work for La Demande d’emploi (part of the 2010 Le French May Arts Festival) led to his participation in the Prague Quadrennial International Exhibition of Scenography and Theatre Architecture (PQ2011) as a Hong Kong representative.
From 2012 to 2013, he collaborated on the set and costume design for the non-verbal physical comedy Detention by Tang Shu-wing Theatre Studio. After its Hong Kong premiere, the production toured internationally, including performances at the 2012 Edinburgh Festival Fringe and cities across China such as Shanghai, Beijing, and Shenzhen, totalling over 94 shows.
From 2014 to 2016, he served as Creative and Art Director at Billiongame Company Limited, overseeing concept artwork production for online games.
In 2017, his stage designs for Skylight (Gold Blue Limited) and Lazy People Are Always Busy (Windmill Grass Theatre) were finalists at World Stage Design 2017, selected among 40 top global entries.
Between 2016 and 2019, he composed music for Heaven Behind the Door by CHLOEOGRAPHY PROJECT, with performances at international festivals including the internationale tanzmesse nrw 2016 (Germany), the 9th Busan International Dance Market 2018 (South Korea) and the 14th Prague Quadrennial- PQ Studio Festival 2019 (The Czech Republic).
In 2018, as creative director and production designer for Maybe Tomorrow, he explored interdisciplinary dance, original music, and site-specific scenography through 30+ performances in public spaces and universities.
From 2019 to 2022, he was Creative and Art Director at HORIZON TECH, developing corporate training games for over 20,000 employees in Hong Kong and Greater China.
In 2023, he represented Hong Kong at the Prague Quadrennial (PQ2023) with Our Atlas by CHLOEOGRAPHY PROJECT, an interactive art installation with spatial scenography and music composition.
In 2025, the design work (including spatial scenography, installations, costumes, and music) for Maybe Tomorrow@Freespace, performed at the West Kowloon Cultural District in 2020, has been selected as one of the 14 global finalists in World Stage Design 2025- Performance Design (Professional). The work will be exhibited publicly in Sharjah, United Arab Emirates.
Key Theatre Design Works (Recent):
- JOEY.MY SECRET.LIVE Concert (2017, Emperor Entertainment Group)
- Elisa Chan Private Music Room Concert (2018, Mei Ah Entertainment Group Ltd x Art Connect)
- Maybe Tomorrow (2018) and Our Atlas (2020, CHLOEOGRAPHY PROJECT)
- A Tale of the Southern Sky (2020, Hong Kong Dance Company and Actors’ Family)
- Murder in San José (2020, Dharma Workshop Limited)
- Cinematic Memories on Train No. 5 (2021, Actors’ Family)
- Confrontations (2022), Liu Rushi, My Dear (2023, Hong Kong Repertory Theatre)
- The Truth About Lying (2024, Love Production)










